music

Jim ParisiMusic Review

Having a Swinging Time

By Jim Parisi   Criollo music actually originated inPeru, and was quickly absorbed by Venezuelan and Argentinean musicians. But swing criollo with its tico flavor had its genesis here in the Sixties with a merger of American Swing music and a Latin style of music from Colombia called cumbia. Initially, it

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Jim ParisiMusic Review

Bittersweet Malpais Album

By Jim Parisi For the many fans, of Malpais it is impossible not to become nostalgic while listening to their new CD. Fans, friends, family and band members were stunned at the sudden and unexpected passing late last August of Fidel Gamboa, the singer/songwriter/guitarist/flautist of this very popular Costa Rican

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Jim ParisiMusic Review

Farewell to a Legacy

By Jim Parisi  When he passed away unexpectedly on August 29, Fidel Gamboa shocked music fans all over the world and left a void that can never really be mended. The founder, songwriter, guitarist and lead singer of the highly popular Costa Rican band Malpais was honored on November 18

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Jim ParisiMusic Review

Paranda

By Jim Parisi Nearly all music is a melting pot, a new image of its influences and predecessors. In Central America, Garifuna music is unique in that it is a blend of African and indigenous music without any influence from the European cultures that became dominant in all the Americas.

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Jim ParisiMusic Review

New Reggae Night in Costa Rica

Reggae music has become a global phenomenon, cast into public awareness forty years ago by musicians like Johnny Nash, Bob Marley and Peter Tosh. But the music remains Caribbean in temperament.

In 1995, the young Costa Rican music label Papaya Music released “Costa Rica Reggae Night”, an excellent compilation of authentic Reggae music from the Caribbean coast of this country. It is a compilation of thirteen songs from well known Costa Rican bands, both past and present; it was a kind of history of notable reggae bands from this area. The album has been a big hit, selling more than fifteen thousand copies in just ten years, a remarkable feat for an independent Central American label.

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Jim ParisiMusic Review

Lucky Thirteen for Costa Norte

Max Urso is a busy guy, a tireless visionary. He started his recording studio and label, Costa Norte Records, in San Pedro Sula, Honduras in 1998, after hearing a rough cassette tape of Honduran singer/songwriter Guillermo Anderson performing and perceived a real need for a recording studio in the country. Both Guillermo and Garifuna singer Aurelio Martinez were recently included in the Central American Music Box CD, a compilation album demonstrating the musical diversity of this region. It is an accomplishment that all three of them are very proud about and happy to be a part of.

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Jim ParisiMusic Review

Hay Niños Aqui!

In a career that is approaching a decade, Malpais has become one of the most popular bands in Costa Rica. Their appeal, like the band, kept growing. And I think this is one thing that adds to their popularity: they continually expand the realm of their influences. Malpais has gained the affection of their continually growing audience because they never forgot their roots. Their songs are snapshots, histories, reflections and all human and tangible. The new album “Hay Niños Aqui” keeps them on both roads of staying grounded, while spreading out.

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Jim ParisiMusic Review

The Kids Come First

Musicians throughout the world have a good reputation for giving back to the community, especially to the next generation, the children, and Central America is no exception. Costa Rica’s three-time Grammy Award winners Editus are a good example. They have recorded twelve albums in their seventeen years together as a group and in an effort to give back to the community, they founded their Acadamie de las Artes in San Jose, Costa Rica in November 2004. It is a modern conservatory that integrates diverse elements of artistic development, not only for music but for dance, literature, theater, painting and photography as well. The music classes they offer are incredibly staffed and diverse, with three drum and percussion instructors, six teachers specializing in voice, lyrics and songwriting, four electric guitarists, six acoustic guitar instructors, two violinists, a cellist, five pianists, one saxophone teacher and a bass guitar instructor. Not surprisingly, some of the current teachers are former students, a sure sign of the Acadamie’s success. The academy also offers a sound lab to teach engineering, mixing, mastering, even DJ sampling. And there is a chorale group who performs a minimum of twice a year with selections as varied as Gospel and spiritual, Rock and Pop, Costa Rican and Latin American songs, in an effort to create a completely diverse chorus.

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Jim ParisiMusic Review

Maicol Leroy’s San Juanillo

Make no mistake about it, Maicol Leroy has been Ticoized. Don’t get me wrong, I mean this as a compliment and I know he would be the first one to consider it as such. Hey, the guy has even Latinized his name… Sr. Leroy has been coming to Guanacaste for nearly a quarter of a century and living here for almost two decades. He has been playing guitar and harp since well before puberty. Take these two components, mix in a little stage experience, an early exposure to the blues and great songwriting ability and voila: you’ve got the new self-produced album “San Juanillo” by Maicol Leroy.

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